Rebecca Tavener writes in March 2016 edition of Organists’ Review:
On Away in a Manger, “a sugar-free setting… Park treats the text with focussed seriousness and no hint of the lisping cliché: it is a most welcome re-invention of a carol so heavily burdened with unfortunate associations”
On Shepherds’ Cradle Song, “An interesting choice of key, G-flat major, imparts a warm, rich atmosphere to this deliciously dreamy piece with its silken melody.”
“Here’s a composer who know very precisely just how many notes are enough.”
Organists’ Review | Away in a manger | Shepherds’ Cradle Song
